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Harley Benton BigTone Trem Vintage Orange

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Elektrische Gitaar

  • Ontwerp: hollow body
  • Body: esdoorn
  • Hals: Canadese esdoorn
  • Fretboard: amarant
  • Block inlays
  • Body-, hals- en kopplaatbinding
  • 20 Frets
  • Scale: 648 mm
  • Topkambreedte: 43 mm
  • Pickups: 2 Deluxe AlNiCo double coil humbuckers
  • 3-Standenschakelaar
  • 3 Volume en 1 tone control
  • Hardware: deluxe chrome
  • Tune-o-matic roller-brug met "floating" ovangkol onderstel
  • 50's B-style deluxe tremolosysteem
  • Slagplaat: doorzichtig acryl
  • Stemmechanieken: deluxe die-cast imperial style
  • Voorgemonteerde snaren: D'Addario EJ21 .012 - .052
  • Kleur: Vintage Orange Hoogglans
  • Bijpassende koffer: art. 129726 (niet bij de levering inbegrepen)
Leverbaar sinds Februari 2015
artikelnummer 349018
verkoopseenheid 1 stuk
Colour Orange
Soundboard Maple
Top Maple
Neck Maple
Fretboard Laurel
Frets 20
Scale 648 mm
Pickup System HH
Tremolo Bigsby Style
Incl. Case No
Incl. Gigbag No
B-Stock vanaf € 305 beschikbaar
€ 329
Alle prijzen incl. btw
Direct leverbaar
Direct leverbaar

Dit product is op voorraad en kan direct verzonden worden.

Informatie over de verzending
1

144 Klantenbeoordelingen

4.5 / 5

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121 Recensies

A
Een "orange beauty"
Anoniem 27.05.2016
Om naar te kijken een prachtige gitaar, om mee te spelen een indrukwekkende gitaar. Groot, breed en daardoor een fijn akoestisch geluid. Elektrisch nog even wat nakijken want er zijn wat bijgeluiden. Deze gitaar komt met een 'floating bridge' of wel een brug die door de druk van de snaren op z'n plek blijft. Onder deze brug zat een stukje stof wat ik er alleen onder vandaan kreeg door de snaren los te halen, zodat de brug loskwam en ik het eronderuit kon halen.
Hou hier rekening mee bij het wisselen van snaren, als de brug een ietsiepietsie verkeerd staat heeft dit invloed op de intonatie van de gitaar.
Hele mooie gitaar!
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
A
very, very good guitar but... not for beginners
Anoniem 11.10.2016
I've never bought a guitar by simply clicking on internet page (till now, as I bought two guitars this way within a month). So I was a little sceptical about outcome. After 40 years of playing guitars I had and still have eight guitars in my 'herd' and each one of them was purchased in shop or second hand but also tested before. Nevertheless I risked and ordered this rockabilly beauty without trying it. Out of box and at first glance it looked really awesome piece of instrument but I was also prepared that it might be necessary to tune this instrument to my desires and style of playing . By reading other customer's reviews I recognized that tremolo system doesn't meet expectations and I doubted that the choice of the correct strings that come with guitar is D'Addario .12-.56.
So, here are CONS : (out of box)
-tremolo system is inappropriate. It has front bar that shouldn't be there because strings that run under it cause too much pressure on the bridge,
-action is too high,
-as I mentioned before original strings are more like heavy cables (as far as I'm concern),
- it was impossible to turn one of pots (I already thought about returning shipment),
-there was still some scrap wood inside body and hardware is lacking of finesse (it does not affect the sound)
And now to the brighter side and PROS :
-first con is easy to avoid. Just restring and lead strings above unnecessary bar. This will release tension on the bridge and also give you feel of smoother bigsbish style tremolo. It is unnecessary to pull out the bar as I saw in some video, just leave it alone and guitar will retain its beautiful appearance.
-to setup action I changed strings to obviously better and suitable set of .10-.46 (same manufacturer) and then with Tune-o-matic bridge set action as I prefer (very low). Of course I checked before that that neck is perfectly straight. It was.
-Trouble with the pot mentioned above was also easily solved. I examined it closely and found out that the knob was to close to the body plate and it was jammed. So I unscrewed it and positioned it appropriately.
-For scrap wood I used vacuum cleaner.
After this procedures it turns out that this is very good guitar with nice variety of tones, from jazzy and blues to rockabilly sound. It also have nice and expected sustain, (anyway ; with pedals you can easily change sound as you like, or you can change pickups for some expensive ones, BUT?this guitar, as it is, offers so much for really moderate money). For me the most important features are: comfortable neck, the possibility of low action and 100% accuracy which is, I think, enabled also due to floating bridge and smooth tuners. As I read in some forums many guitarists have problems with positioning floating bridge. With this guitar tuning is very simple and accuracy on 12th fret is easily achieved and guitar stays tuned for days.
Final opinion : Very, very good rockabilly guitar for moderate price. Not for beginners but for someone with at least a little understanding and knowledge in customizing guitar.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
A
BigTone Vintage Orange
Anoniem 19.12.2016
Firstly I must confess this guitar was a complete impulse buy. I had wanted a HB35-Plus but that was out of stock at the time and I as I was offered a Hofner Very Thin in perfect condition fairly cheaply I bought that instead. But while I had been on the HB site I spotted the Big Tone, and was very impressed. So I ordered it on a Tuesday and it arrived in the UK on Thursday night. I was delivered to me on Monday morning, and I believe if I had ordered it on Monday it would have been delivered on Friday. So well done Harley Benton - your sales process is great! I have waited longer for internet sales here in the UK.

The guitar was very well packed and protected and when I unpacked the Big Tone it looked wonderful - far better in real life than the pictures on the HB site. The first thing I noticed is it's weight, - it feels as heavy as any solid body guitar that I own. The size was another surprise. It's slightly larger than my Dreadnought acoustic and just as deep, (8.5cms). So I don't think standing up playing this guitar is a good idea.

I carefully checked it over and the only imperfection I could find in the body was a 5mm x 3mm brown spot on the heel of the neck but I really don't mind that. It is unnoticable and I look at it as an identification mark if it ever gets stolen. There wasn't any glue or globs of varnish and the binding looked good so I was very happy with the finish of the guitar. As a previous review mentioned some residue wood shavings and dust inside the body, I checked it by vigorously shaking it but there was nothing to be found.

The machine heads are pretty good. They have a good feel and can be finely moved to get perfect tuning. The design of the tuners are a bit sharp on the fingers but they suit the vintage look of the guitar perfectly, in fact they look very similar to some other jazz boxes I have seen. So they will stay and not be swapped.

The strings were set low and the neck was straight so I had no setting up to do there. I was almost in tune as well. The only worry I had was the floating bridge and the Bigsby style vibrato. If anyone has seen the YouTube reviews of the Big tone you will see there is a reported problem with the floating bridge leaning under the strain when using the Bigsby. I've never used a Bigsby before but after a few tries of it I never saw the bridge move at all. In fact I have had the guitar for a week now and have never seen the bridge move at all when using the vibrato. I'm not sure if this only happened on a few guitars or if it was a general problem that has been cured, but my guitar's bridge stays where it should.

The only problem I found was that the strings on the fret board were not centred and the high E was too close to the edge. This was easily remedied by moving the floating bridge slightly to realign the strings.

After reading about and seeing the bridge problems, and whilst I was relieved at the stability of the bridge on my guitar, I did change the arrangement of the strings. I moved the strings from under the forward tension bar of the Bigsby to run over it. I don't believe it hasn't affected the tone at all, or the vibrato effect, and it does takes the perceived strain off the top of the guitar and the bridge. However I may change it back at the next string change to see if there really isn't a tonal difference.

When I read the reviews before buying the Big Tone there was mention of 'cable' like strings being changed to lighter strings. I must admit I found them a bit thick on the fingers and found my finger tips hurting after the first day of playing. I changed them to 10's but found I didn't like the tone much so I have changed them back to the original 12's. The 12's make the guitar more mellow sounding and the 10's were a bit jangly. So I will use the 12's from now on as the sound suits the guitar very well.

The intonation was slightly out so, (with the help of a 'how to' video on YouTube), I moved the bridge back about 5mm. I intonated the high E and the Low E and after checking the rest of the strings found them to be absolutely spot-on. I didn't need to even move screws to move the rollers on the bridge, which makes me think the guitar had been set up before leaving the warehouse. The intonation on this guitar is about as accurate as it is possible to get and is better than I have acheived on many other guitars I own.

Now, I don't think I'm a particularly good guitarist so I don't mind saying I feel completely out-classed by the Big Tone. It craves picking individual strings, (and fast), which is something I have always been weak on. However it makes me want to play it and it is also great fun to play. It looks fantastic and sounds great. The Alnico pick-ups perform well and produce a wide range of tones. They may get changed in the distant future but certainly not in the near future. I experience some feedback when I sit too close to the amp but not a great deal so the moral is either not to sit too close and don't use gain on the amp. The control knobs also turned smoothly and were fairly accurate in as much they reduce and increase the tone and volume with a regular 'fall off'.

To sum up, this is a very good guitar at a very good price. It is well built I comes with a guarantee so if you are not happy, it can be returned. It is well built, sounds great and it occupies a niche in the guitar market. So if you are a jazz / rockabilly / blues guitarist or you just want something different at a price far lower than the Gretch it is modelled on try a Big Orange Big Tone. I'm sure you won't be disappointed and you may even be surprised.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
r
Plays well and sounds good
ruben11450- 04.04.2025
When i got the guitar, i wasnt expecting much as it only costed 300€.
At the first look, i could not point any flaws whatsowever, everything looked fine.
The setup seemed fine, no fret buzz or anything like that, some frets could have used a bit more of polishing, but its fine, nothing serious.
The sound its pretty good, i bought it because i like that war tone of the neck pickup on these hollowbody guitars, and it did a good job delivering that.
My only issue, and thats why i dont give it 5 stars, it seems to sometimes have a rattling noise near the bridge, and i can't put my finger on what it it exacly the root of the problem, probably nothing serious, and might be an easy fix, im yet to find out.
The guitar itself looks way better than it looks on these pictures online.
Overall im very pleased with this purchase, it had a lot of quality for it's price, and i'd definatly recomend it to anyone.
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