After testing the Empress Zoia every day for about a month, I can confidently say that this pedal has exceeded all my expectations. While I’m not a guitarist, I use a range of synthesizers that employ different types of synthesis, with a particular focus on algorithmic, microtonal, and granular synthesis. For someone like me, who is deeply involved in creative sound design and constantly exploring new sonic textures, Zoia has proven to be an absolute experimental playground.
What truly sets Zoia apart for me is its incredible flexibility. Whether I’m building custom effects for my synths, creating intricate soundscapes, or even designing entirely new instruments, Zoia allows me to push the boundaries of what I thought was possible with a pedal. Its modular, grid-based interface feels limitless, and it perfectly complements my explorations into more abstract realms of sound, like granular and microtonal music.
Every day with Zoia is an adventure—whether it's routing signals or experimenting with filter modulations, I feel like I’m constantly uncovering new sonic possibilities. It's less of a traditional effects pedal and more of a sound design tool that opens doors for unique sonic manipulation and creation.
If there’s one minor downside, it’s the lack of an on/off button, which would have been convenient. But that’s a small compromise for the vast array of creative freedom Zoia offers.
For anyone working with synths, and especially those involved in experimental or forward-thinking sound design, Zoia is an absolute game-changer. It has become an essential part of my setup, perfectly aligning with my approach to sound creation.
Huge thanks to the entire Empress team for developing such a revolutionary tool! The Zoia has expanded my creative landscape beyond what I could have imagined, and I’m excited to continue exploring its limitless potential.
